Reconstructed

The Reconstructed sub-collection represents the final stage in the evolution of the feminine narrative, where floral imagery is fully abstracted into geometric forms. Derived from highly pixelated drawings, the original motifs are broken down to a point where their source becomes almost unrecognisable, leaving behind a language of shape, structure and composition.

This process of extraction transforms the florals into a new visual system, where meaning is no longer communicated through recognisable symbols, but through arrangement, rhythm and spatial relationships. The softness and ornamentation associated with the original imagery is replaced with clarity and precision, signalling a shift away from traditional representations of femininity.

In this stage, femininity is no longer defined by inherited symbols or interpreted through existing systems, but reconstructed into something independent and self-determined. The work reflects a form of identity that has moved beyond expectation, existing instead as a fluid and adaptable visual language.

By translating the collection into a fully geometric aesthetic, this sub-collection also extends its relevance within contemporary interiors, offering a more abstract and versatile application of the narrative. In doing so, it broadens the potential audience while maintaining the conceptual foundations established throughout the collection.